Vilesilencer
08-27-2004, 09:19 AM
I am currently working on putting the finishing touches on Eric Johnson's "Cliffs of Dover", and can execute all of it cleanly except the pedal-point lick he uses near the end of the opening cadenza and again near the end of the solo. My problem is that between the string skipping and the hybrid picking, I cant come close to controlling the sympathetic ringing that comes from the other strings.
Also, I'm beginning work on Greg Howe's style of tapping appregios, which also requires an adept touch at muting. So my question is, has anyone ever been able to use anything (I'm thinking a hair tie) to dampen the strings, the same way a capo would be used to bar them?
Any info/ideas will be appreciated...
Also, I'm beginning work on Greg Howe's style of tapping appregios, which also requires an adept touch at muting. So my question is, has anyone ever been able to use anything (I'm thinking a hair tie) to dampen the strings, the same way a capo would be used to bar them?
Any info/ideas will be appreciated...