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  • rbarata's Avatar
    11-17-2014, 10:34 PM
    Hello Jon. In fact, why not?:) And doing it, the interval problem is solved. I couldn't notice this one.:rolleyes: Thanks.
    118 replies | 7909 view(s)
  • rbarata's Avatar
    11-16-2014, 01:42 AM
    rbarata started a thread V-vi difficulties in Music Theory
    :) That's right!!! I'm having difficulties to resolve a V-vi. The the soprano is given and can't be changed. The errors marked are consecutive...
    0 replies | 123 view(s)
  • rbarata's Avatar
    11-15-2014, 06:06 PM
    Here's another exercise, in A major. This time, the only voice given is the soprano. I could only find a problem to be solved: too large interval...
    118 replies | 7909 view(s)
  • rbarata's Avatar
    11-14-2014, 08:35 PM
    rbarata replied to a thread ii triad in Music Theory
    Yes, I think so. But aim is to understand why is the third to be doubled? Is it because is the tonic of the relative major?
    6 replies | 188 view(s)
  • rbarata's Avatar
    11-14-2014, 08:31 PM
    rbarata replied to a thread ii triad in Music Theory
    In fact I made a mistake... F G A Bb C D E F and its parallel minor is D E F G A Bb C D...this is wrong because it's the relative minor. If we try...
    6 replies | 188 view(s)
  • rbarata's Avatar
    11-14-2014, 06:07 PM
    rbarata started a thread ii triad in Music Theory
    In a book called "Harmony: a course of study" by G.W. Chadwick, it is said about the ii chord: "The most important of these triads is founded upon...
    6 replies | 188 view(s)
  • Color of Music's Avatar
    11-12-2014, 10:29 AM
    Color of Music replied to a thread Music Notation in Music Theory
    IMO, no because there's "too much" in the measure! Too many ties! The dotted notes, take care of them. A dotted quarter in 4/4 = 1 1/2, so, why...
    43 replies | 3279 view(s)
  • rbarata's Avatar
    11-06-2014, 05:44 PM
    Hi, JJ. Thanks for the reply. One question...am I allowed to move the LT to any note (avoiding aug and dim, obviously)? I'm asking this because...
    118 replies | 7909 view(s)
  • rbarata's Avatar
    11-04-2014, 10:53 PM
    New exercise...this one has a problem, consecutive 5ths in the last two chords, between bass and tenor. The given bass is too high and the...
    118 replies | 7909 view(s)
  • rbarata's Avatar
    10-30-2014, 05:51 PM
    I see. Understood! One question... in the case of compromises such as this one, is there any melodic interval more acceptable than others? Just...
    118 replies | 7909 view(s)
  • rbarata's Avatar
    10-29-2014, 11:44 PM
    Well, I think the voicing I did (chords 1 and 2) provides the smoothest voice leading, I think (see bellow): B B F# G D E B E The...
    118 replies | 7909 view(s)
  • rbarata's Avatar
    10-29-2014, 10:29 PM
    Maybe the exercises you are practicing are boring. Find ways to add variety to your routines.
    3 replies | 606 view(s)
  • rbarata's Avatar
    10-29-2014, 10:24 PM
    Hi JJ I've done so to avoid consecutive octaves between bass and tenor (chords 2 and 3). In this case I'm assuming the tenor of chord 3 is a B...
    118 replies | 7909 view(s)
  • Color of Music's Avatar
    10-27-2014, 08:23 PM
    Yeah, I meant, if you wanted to go an octave higher instead of tuning. (I probably still wrong and just confused myself) But I was probably...
    5 replies | 827 view(s)
  • rbarata's Avatar
    10-27-2014, 07:21 PM
    Another exercise, this time in B minor. Once again, the soprano and bass are fixed and can't be changed. As usual, please give your oppinion...
    118 replies | 7909 view(s)
  • Color of Music's Avatar
    10-27-2014, 12:51 PM
    Standard - just tuned (transposed) by a tritone - up or down by an augmented fourth or diminished fifth! E-A-D-G-B-E ---> A#-D#-G#-C#-F-A# If...
    5 replies | 827 view(s)
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About rbarata

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September 24, 1966 (48)
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Four-Part Harmony Exercise 11-17-2014 10:34 PM
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