Dear fellow musicians,


For the last years Iíve been struggling with implementing inversions in the songs I play. Especially choosing which inversions to use when. With the piano it is seen as best practice in general to use inversions that are near the chord youíre already playing. On the guitar Iíve never encountered any charts that show different chord combinations that you could use together best.


Do you know of certain books/resources that show good practices of which inversions to use together?


I understand that some of you may say I have to learn to think for myself, but my experience is that this works best when youíve had some good examples.


Kind regards,
Tijs