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Solfege resolution tendencies - chromatic syllables
This is a question for anyone who can help, but Guni is, of course, a natural candidate :-)
I'm quite eager to find out the resolution of chromatic syllables in solfege. I know that some time in the future there should be another solfege article by Guni, but I'd appreciate a short explanation.
Another questio -- any of you versed in the moveable-do system used in Berklee -- don't they teach minor scales in their own right? Or do they just teach minor scales as an alteration of the major scale?
If there are different resolution patterns for major and minor scales, could the answerer specify both?