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#1 |
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Trying To Be Humble!
Join Date: Nov 2004
Location: England
Posts: 102
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Double Stops!
I have started using Double-Stops in my Improvisation, can anyone give some advice on how to use them well, I mainly play two notes on the same fret on adjacent strings, but I would like to explore other possibilites too!!!
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#2 |
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Registered User
Join Date: Nov 2003
Location: Minnesota
Posts: 469
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Double stops are, very cool ! Aside from 4ths, 3rds and 6ths work quite well, as do 5ths sometimes. They can remain 'diatonic' with the harmony or, add tension.
........this'll only lead to stronger things, you know - -best, Mike |
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#3 |
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fan of the G string
Join Date: Jan 2004
Location: Britney's basement
Posts: 1,073
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Try doing doublestops on non-adjacent strings.
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#4 |
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Mad Scientist
Join Date: Jul 2003
Location: Houston, TX
Posts: 1,546
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Get a grip on your intervals. Work on harmonic (playing both notes at the same time) intervals in all keys (Major, and all 3 minor scales too) that'll give you a good source of material where to start.
Regards,
__________________
"If God had wanted us to play the piano he would've given us 88 fingers" |
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#5 |
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Registered User
Join Date: Aug 2003
Location: CA
Posts: 9
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You can also try inverted 3rds and inverted 5ths.
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#6 |
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Shred Apprentice
Join Date: Jul 2004
Location: Denmark
Posts: 223
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Did anyone of you read Steve Vai's old guitar lessons?
Well I recommend you should read the one called double stops. It is really helpful! It says you should experiment with double stops and not just learn what interval fits where. You may even try "triple stops". So Go to www.stevevai.com and search for the doublestop lesson! |
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#7 | |
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Trying To Be Humble!
Join Date: Nov 2004
Location: England
Posts: 102
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Quote:
__________________
http://www.blanksheetmusic.net |
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#8 | |
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Shred Apprentice
Join Date: Jul 2004
Location: Denmark
Posts: 223
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Quote:
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#9 |
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Shred Apprentice
Join Date: Jul 2004
Location: Denmark
Posts: 223
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Oh, sh*t. I always forget everything. Hey, sorry.
Anyway, it's a miracle I don't forget how to fret a string
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#10 |
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Afro-Cuban Grunge-Pop
Join Date: May 2002
Location: Colorado Springs CO
Posts: 2,175
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How are they Unique?
Will someone explain why double stops are given a name that seems to set them apart from any other chord (I assume they obey the same general guidance that any harmonization does, whatever that might be)?
Asked another way (and maybe this is a totally different question), how would you distinguish between say a 'power chord' and a 'double stop'?
__________________
Pulsing the System with Confirmed Nonsense. |
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#11 | |
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In the woodshed
Join Date: Sep 2003
Location: Malta
Posts: 897
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Quote:
Double stops are more often than not, used during soloing. Theoretically i believe they are identical -- nothing but diads or dyads (spelling?). or not?
__________________
Edwin Land: Creativity is the sudden cessation of stupidity. Last edited by rmuscat; 11-24-2004 at 03:47 PM. Reason: "note" cannot substitute "not", and "," |
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#12 |
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I like music.
Join Date: Feb 2004
Location: NY
Posts: 316
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You can just look at double stops as a double-voiced harmonized melody, it makes it a lot easier. It should suggest an unambiguos interval in the underlying harmony. Check out wes montogmery and kenny burrel for some killer doublestops. If I have time later I'll make a few tab/standard notation examples.
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Hard luck and trouble... |
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#13 |
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Afro-Cuban Grunge-Pop
Join Date: May 2002
Location: Colorado Springs CO
Posts: 2,175
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Thanks guys, that all makes sense. I have a lot of Wes, but only a few Kenny Burrell tunes...maybe you could recommend a few where it's easiest to hear their technique.
__________________
Pulsing the System with Confirmed Nonsense. |
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#14 |
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I like music.
Join Date: Feb 2004
Location: NY
Posts: 316
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If you have a lot of Wes, transcribing that should be enough.
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Hard luck and trouble... |
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#15 |
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Afro-Cuban Grunge-Pop
Join Date: May 2002
Location: Colorado Springs CO
Posts: 2,175
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That's quite a sense of humor!
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Pulsing the System with Confirmed Nonsense. |
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